Indian Fashion News and Updates

Monday, June 29, 2009

Indian Designer Scarves

Scarves have come to be regarded as one of the essential fashion accessories, as it has a larger role to play than just accentuate a simple garment. It goes beyond making the wearer look chic, charming, elegant, sophisticated, trendy, cool, all according to the way she uses it. In fact scarves are being used as protective gear against the harsh rays of the sun, the dry weather, dust and pollutants.

There are a number of designers across the world, who specialize in creating innovative scarves. Apart from new patterns and color schemes, they also evolve varied ways in which these designer scarves can be worn. Sometimes they work hand-in-hand with the dress designers to create an ensemble. They create scarves that would go with the garments.

Indian Designer Scarves are steeper than the original ones, but are definitely trend setting. The designer would probably come up with new cuts. For instance instead of the simple, straight hemline, they could create something with cutwork or lace. Then different types of danglers can be hung to create the gypsy look. Some designers create patterns and designers that just need to be fastened, rather than have the wearer take extra pains to fold it or pleat it and then tie-it.

The main difference between indian designer scarves and others is that the former are innovative and not available in bulk. They are in fact out of the ordinary. For instance, designers combine the use of a couple of fabrics to create a scarf, such as net, silk and crochet and then probably add stones or embroidery. All this to create an exquisite piece of clothing!

Sunday, June 28, 2009

Top Indian Fashion Designers

Top fashion designers in India include names like Manish Malhotra, Ritu Kumar, Ritu Beri, Tarun Tahiliani and many more. These designers have changed the fashion trends of the country. Manish Malhotra has designed for most of Indian actresses off screen as well as on screen.

His designs were worn by Kareena Kapoor in the film Kabhi Khushi Kabhie Gham (2001). He designed for Sushmita Sen in Main Hoon Na (2004) and he has designed for Rani Mukerji and Preity Zinta in the film Kabhi Alvida Naa Kehna (2006). He also showcased his new collection in April 2006 at Lakme Fashion Week in Mumbai.

Amongst the other top indian fashion designers is Ritu Kumar, who began with hand block printers and two tables in a small village near Calcutta, and in the last 28 years, her team of dedicated workers have progressed to produce some of the country’s most exquisite garments and accessories in cotton, silk and leather.

Ritu Beri has been the most talented indian designer because of her popular and unique style and modernized work. Her this quality has made her so very vastly popular and demanded by the Indian as well as the Hollywood film industry.

Another name in the top indian fashion designers bracket is Hemant Trivedi. He is also a renowned fashion Stylist, choreographer, design professor and undoubtedly, one of India's foremost and most important fashion designers.

Apart from these few names, there are numerous others who are contributing to making India one of the forerunners in the world of international fashion.

Indian Fashion Designer

An Indian fashion designer is much in demand all over the world. Some of the Indian designers have established themselves all over the world. They are invited to fashion weeks outside India to witness as well as to display their collection.

There are a number of Indian designers, who are invited to present their garments at events showcasing international names. They have been working hard to take Indian fashion all over, as well as bring back the latest trends abroad.

Their designs are not only liked by Indian celebrities but also International celebrities. These designers have also succeeded in opening their showrooms at various places around the world along with in various malls across the country.

Today, with hard work and creativity the Indian fashion designer does not have to restrict himself or herself to the domestic market. Their talents and knowledge have helped them go beyond designing the typical Indian garment to creating global fusion designs. They have finely adopted western styles in their designs.

Fashion Institutes in India

List of fashion institutes in India:

Arch Institute of fashion & Design / Arch Gemology & Jewelry Institute: Plot No.9, Malviya Nagar Institutional Area , Malviya Nagar, Jaipur. Tel: 91-141-2702163

Rai University, A-41, MCIE, Mathura Road, New Delhi – 110044 Tel: 91-11-51560000, 51570000

National Institute Of Fashion Design (NIFD): Zone F-3, Hauz Khas Enclave, Adjacent to Laxman Public School, New Delhi. Tel: 91-11-26968868, 51655729

National Institute Of Fashion Technology (NIFT): NIFT Campus, Near Gulmohar Park, Hauz Khas, New Delhi 110016 Tel : 91-11-6965080, 6965059

National Institute Of Fashion Technology (NIFT), NIFT Campus, C A Site No: 21, Sector - 1, 27th Main, Bangalore. Tel: 5727695

National Institute of Fashion Technology (NIFT): GH - 0 Circle, Gandhinagar. Tel: 91-79 23240832

National Institute of Fashion Technology (NIFT): NIFT Campus, Old Mahabalipuram Road, Taramani, Chennai. Tel: 91-44-2542755

National Institute of Fashion Technology (NIFT): NIFT Campus, Sector 4, Kharghar, Navi Mumbai. Tel: 91-22-7565549

College of Creative Arts: Ganga Dham Comm. Phase I, Sr. No. 612 - 615, Lullanagar Bibwewadi Road, Market Yard, Pune. Tel: 91-20-24209166

Institute Of Fashion Technology And Hotel Management, KM-2 Kavi Nagar, Ghaziabad. Tel: 716902

Saturday, June 27, 2009

How To Tie A Scarf

A beautiful scarf adds glamour, class and sophistication to a simple attire, which maybe a dress, skirt and blouse, formal shirt and trousers, casual jeans and top or the Indian salwar kameez. But then it is all about how you wear it. Though sometimes one is required to let it just fall over the shoulders as the entire garment get up requires it, most often it is tied in a way to further enhance the basic style.
If you are one who likes wearing indian scarves then you should learn how to tie a scarf. Some companies where it is a part of the dress code are taught how to tie a scarf, as there should be no difference in the knots and style. This is more so in the airline and hospitality industry.

However, here are some ways in which you can tie a scarf for that complete look.

You could tie a small scarf around your neck with the knot either in front or on either side

Your triangular scarf could be draped with one pointed end at the back and the other two ends tied together in front, making it look like a cape. Alternatively you could tie it over one shoulder with the free pointed end falling over the other shoulder.

In formal settings where you are required to wear a indian scarf over a shirt, it is preferred that you tie it the cowboy style. This is where the scarf is either triangular or a square folded into a triangle, the pointed end is in front, with the knot tied behind under the collar.

You could wear it around the waist like a belt

You could tie it around your wrist like a bracelet or around the upper-arm like an arm band

You could tie it around the ankle below a skirt of any length

You can tie it over your jeans just for show.

Your scarf could be tied onto you handbag with a double knot or bow.

You could tie your hair up into a bun or ponytail using a scarf. In fact many people prefer a scarf for this purpose as it does not do damage to the hair or pull it out when being removed unlike clips and bands

You could tie it as a head scarf either to make a fashion statement or protect your hair from damage.

There is so much one can do with this piece of clothing. In fact it is more exciting when you accessorize it.

Friday, June 26, 2009

Indian Scarves

Introduction to Indian Scarves - The fabrics used for scarves are numerous and varied. These include silk, cotton, polyester, rayon, acrylic, nylon, wool, cashmere, lace, etc. They maybe woven, knit, crochet, printed, embroidered Common printed patterns are paisleys, floral, animals and geometrical designs. This piece of clothing is generally square, circular, oblong or triangular with edges that are rolled, hemmed or tasseled.

The variety in scarves depends on how it is worn. These include:

Ascot, which is usually in a triangular shape and either knotted in front or the ends are placed together with a brooch. The name is derived from the famed racetrack of England, Ascot, where people wore scarves in this fashion.

Bib is a square scarf that is folded to form a triangle. The point is in front with the knot behind the neck. It is mainly worn while dining to prevent the clothes getting stained. This is also known as the cowboy scarf.

Necktie also known as a cravat is a piece of clothing tied around the neck

Jabot is a pleated, ruffled or embroidered piece of cloth worn around the neck. It is more like the Indian dupatta.

Indian Muffler is an oblong knitted or woven scarf that is worn to protect one’s throat in the cold season.

Indian Shawl is a scarf variation that is generally woven, knitted or crochet. It is generally larger than the scarf.

Stole is a long scarf, which maybe cut out any fabric or made of fur.

Generally scarves are worn in dry and dusty climates or where pollution levels are high. It is used to cover the face and head, preventing these uncovered parts of the body from any kind of harm. Apart from its protective role, some cultures prescribe the use of scarves as a compulsion. For instance, many Muslim women are made to wear a headscarf known as a hijab or khimar.

Thursday, June 25, 2009

Sarees from different regions of India

The core of any good saree wardrobe is to have at least one traditional saree from every region from India. In addition, there should be some plain, single coloured sarees, to show off accessories – be it elegant jewellery or a shawl to perfection.

A range of gorgeous sarees come from Gujarat, Rajasthan, Haryana, Western Uttar Pradesh and Western Madhya Pradesh. The dominant characteristic of the saree of these regions is obtained by dyeing rather than weaving techniques. In fact, the three major forms of Indian resist-dyeing – block printing, tie & dye and ikat have evolved here.

Playing with colour, fabric, weave and embellishments can create an exquisite look to the trousseau wardrobe.

Sarees from West India:

1. Bandhani

- These are sarees created by dyeing the cloth in such a manner that many small resist-dyed ‘spots' produce elaborate patterns over the fabric.

- The traditional bandhani market has shrunk however, because of the rise of low-cost silk-screened imitations and most modern bandhani sarees are made with larger designs and fewer ties than in the past. There are varieties available in two contrasting colours, with borders, end-pieces and one or more large central medallion called a pomcha or padma (lotus flower). Red and black is the most common colour combination but other pairs of colours are also found. For instance, the panetar saree is a Gujarati-Hindu saree of satin weave and Gajji silk with red borders, central medallions and a white body, which may contain regularly spaced red tie-dyed spots.

- Single colour sarees and odhnis with white spots are also common. The most famous of this type is the Gujarati saree called Garchola It is usually red, but occasionally green, and is divided into a network of squares created by rows of white tie-dyed spots or woven bands of zari. The Garchola is a traditional Hindu and Jain wedding saree, which used to be made of cotton, but is now usually in silk. The number of squares in the saree is ritually significant multiples of 9, 12 or 52.

2. Patola

- The most time consuming and elaborate saree created by the western region is the potole (plural patola) which has intricate five colour designs resist-dyed into both warp and weft threads before weaving.

- Double ikat patola saree is a rare and expensive investment. A cheaper alternative to double ikat patola is the silk ikat saree developed in Rajkot (Gujarat), that creates patola and other geometric designs in the weft threads only.

3. Gujarati Brocade

These are extremely expensive and virtually extinct. The main distinguishing characteristics of the Gujarati Brocade Saree:

- Butis (circular designs) woven into the field in the warp direction instead of the weft, resulting in their lying horizontally instead of vertically on the saree when draped.

- Floral designs woven in coloured silk, against a golden (woven zari) ground fabric. Although such ‘inlay' work is a common feature in many western Deccan silks, the Gujarati work usually has leaves, flowers and stems outlined by a fine dark line.

4. Embroidered Tinsel Sarees

- The western region also has a rich embroidered tradition, made famous by ethnic groups such as rabaris and sodha Rajputs.

- The saree with zardozi, the gold gilt thread embroidery technique, at one time patronised by the Moghul emperors and the aristocracy, is today an inextricable part of a bridal trousseau.

- Balla tinsel and khari work are the cheaper variations available in metallic embroidery, which have also become quite popular.

5. Paithani

- This saree is named after a village near Aurangabad in Maharashtra. Now also woven in the town of Yeola, these sarees use an enormous amount of labour, skill and sheer expanse of material in their creation.

- Distinctive motifs such as parrots, trees and plants are woven into the saree. The shades vary from vivid magenta, peacock greens and purples. In the pallav, the base is in gold and the pattern is done in silk, giving the whole saree an embossed look.

6. Chanderi and Maheshwari

- The Chanderi saree from Madhya Pradesh is light and meant for Indian summers. It is made in silk or fine cotton with patterns taken from the Chanderi temples.

- The Maheshwari sarees are also both in cotton and silk, usually green or purple with a zari border. The traditional block-printed tussar can also be found in contemporary designs nowadays.

- Balla tinsel and khari work are the cheaper variations available in metallic embroidery, which have also become quite popular.

7. Gadwal

- Gadwal saree is made in cotton in a style influenced by the Banarasi weaves. While the ground of the saree is cotton, there is a loosely attached silk border.

- Copper or gold-dipped zari is generally used in these sarees. The motifs of the murrugan (peacock) and the rudraksh are popular.

- Traditional colours for these sarees are earth shades of browns, greys and off-whites. However, brighter shades have been introduced for the North Indian buyer.

Sarees from North India:

1. Banaras Brocade

- This saree from Banaras is virtually mandatory in the bride's trousseau. These sarees vary tremendously as weavers create different products to suit different regional markets and changing fashions.

- Most brocades usually have strong Moghul influences in the design, such as intricate intertwining floral and foliate motifs, kalga and bel. A characteristic found along the inner, and sometimes outer, edge of borders is a narrow fringe like pattern that often looks like a string of upright leaves called jhallr. This is almost a signature of Benarasi brocade.

2. Kota Doria

- Kota in Rajasthan, India is the home of the famous Kota Doria saris made in small villages around the Kota city. "Kota Doria" is a super transparent yet stable cotton or cotton/silk weave consisting of varied guages of yarn, creating an almost graph like pattern called khats (squares formed between the different thicknesses of fibers). The intermittent heavier guage yarns give the fabric enough weight and lateral stability to fall very gracefully, yet it is incredibly airy and transparent. Generally, these pieces are worn in the heat of summer.

- The chequered weave of a Kota sari is a prized possession of many women. The gossamer-fine fabric Kota dorias are the finest weaves in India - so fine that they are almost weightless. The spinning, dyeing and weaving are done by skilled artisans and it takes many men hours to do so. The Kota region's craft is exquisite in its perfection. The Kota Doria weave is very special; the warp and the weft use a combination of threads creating a fine chequered pattern where the cotton provides firmness while the silk lends the gossamer finish to the fabric.

- Besides the chequered pattern, there are other weaves in complicated designs in a combination of silk and cotton. The standard Kota doria yardage, in sari width, is always woven in white and later dyed in different colours. Some of the weaves also have a narrow border edged with Zari. In the case of saris with designs, the threads are dyed prior to weaving. Ideal for hot summer, this is a muslin fabric woven with alternating threads of silk and cotton in both warp and weft in an open weave.

3. Other Sarees from this region

- The region is also famous for producing ornate sarees such tanchois, amru brocades, shikargarh brocades and tissues. Abrawans (literally meaning flowing water)- Tissue sarees, usually woven with the finest silk thread are also quite popular. A classy design in Abrawans is tarbana (woven water) with a fine silk warp with a zari weft giving an almost metallic sheen. Kincab or Kinkhwab sarees are the most popular of the brocades and are so covered with the zari patterning that the underlying silk cloth is barely visible.

- Jamawars also come from Uttar Pradesh. These silk sarees are embellished with zari threadwork. The popular theme is a jacquard weave in ‘meena' colours like orange and green.

- Tanchois (in zari) are another item from of Uttar Pradesh and have different designs, not just Moghul motifs.

Another type is the kora silk saree which is starched as brittle as organza.

Sarees from South India:

1. Kanjeevaram Saree

- No Indian bridal trousseau is complete without the ‘Kanjeewaram' saree, characterised by gold-dipped silver thread that is woven onto brilliant silk. Kanchipuram is a town in Tamil Nadu with more than 150 years of weaving tradition – completely untouched by fashion fads.

- Kanjeewarams are favoured for their durability. Kanjee silk is thicker than almost all other silks, and is therefore more expensive. The heavier the silk, the better the quality. Peacock and parrot are the most common motifs. Though lightweight kanjee sarees are popular as they are easy to wear and cost very little, the traditional weavers do not like to compromise. While Korean and Chinese silk is suitable for light-weight sarees (machine woven), only mulberry silk produced in Karnataka and few parts of Tamil Nadu, is right for the classic Kanjeewaram.

2. Konrad Saree

- The konrad or the temple saree is also a speciality item from Tamil Nadu. These sarees were original woven for temple deities.

- They are wide bordered sarees and are characterised by wedding related motifs such as elephants and peacocks, symbolising water, fertility and fecundity.

- Traditional colours for these sarees are earth shades of browns, greys and off-whites. However, brighter shades have been introduced for the North Indian buyer.

3. Others

- Pashmina silk, kota silk, Mysore crepes, pochampallis and puttapakshi sarees are also popular South Indian sarees.

- Typical wedding sarees from Kerala are the nayayanpets and bavanjipets which usually have a gold border on a cream base.

- Traditional colours for these sarees are earth shades of browns, greys and off-whites. However, brighter shades have been introduced for the North Indian buyer.

Sarees from East India:

1. Baluchari Sarees

- This saree from Bengal is usually five yards in length and 42” wide in flame red, purple and occasionally in deep blue. The field of the saree is covered with small butis and a beautiful floral design runs across the edges. The anchal has the main decoration depicting narrative motifs. Taingals and kanthas are other speciality items from Bengal.